Marta Colombo artist Berlin
Foto: © Stephanie Neumann © visitmytent

Marta Colombo

*1984 Merate, Italy
Dual citizenship Italian and German
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News

Working Grant by Berlin Senate
Catalogue Grant by Stiftung Kunstfonds
Dialogical project Poetical Isolation
Interview on Chambre Fluide

A bit on the side III, Künstlerhaus Dortmund
OPEN UP, Kunstverein Gelsenkirchen (DE)
Zeichnung auf Seitenwegen, Meno Parkas Gallery (LTU)
Mafraniti, Galerie Exposition (A)

Biography

Colombo graduated from Brera Academy in Milan, before studying Fine Arts in Madrid at the University Complutense of Fine Arts, and then completed a practical internship in Scenic Design at La Scala Theatre. In 2010, she moved to Germany and studied at the Peter Behrens School of Arts in Dusseldorf.

Marta Colombo has exhibited internationally in museums and public institutions, such as Kasseler Kunstverein in Fridericianum, Städtische Galerie Iserlohn, Art Center Bethanien Berlin, Italian Cultural Institute in Brussels, Museum Giovanni Fattori Livorno, Stadtmuseum Düsseldorf, Haus der Kunst in Palermo, Museum Dortmunder U, Museum Kunstpalast Düsseldorf, Lehmbruck Museum Duisburg and the Museo Palazzo della Permanente in Milan.

Works by Marta Colombo are in several public and privat collections, such as the collection of Stadtmuseum Düsseldorf, collection VIR Via Farini in Milan, collection of North Rhine–Westphalia (Kunsthaus NRW Kornelimünster) and collection Comacina (Academy of Fine Arts of Brera in Milan).

Statement

Drawing strategies, plastic processes and participatory practices are the focus of my art work. These three main topics offer me the opportunity to reflect on the emancipation of drawing, to test the sculptural deformation of material/objects and to investigate the potential of experiential spaces.

I am interested in space as a three-dimensional drawing board and and spatial laboratory. The actively perceived space is for me the lived space. This spatiality offers the chance to develop plastic, sensual, artistic, intellectual, participatory and social processes.

In 2019 with Dialogical Compositions I started to explore participatory methods to stimulate spatial sensibility and an active aesthetic experience. For such works, I normally invite the visitors to interact with my objects/elements and to modify my compositions.

Marta Colombo, 2021

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